Despite the stigma that has been progressively undermining Egypt for over a decade, Khan el-Khalili's vibrancy and magic remain resilient and immune. An unforgettable souk in the historic center of Cairo, its deep labyrinthine alleys open onto the unpredictable: from poetic silence to technicolor chaos; from mysterious dark corners to blinding sunlight; from sleepy serenity to the rush hour of humanity, everyday things, and every thing. Its pulse, sound, mood, and inner life ebb and flow throughout the day and the night.

What is a market after all? A world within a world. A city inside a city. A microcosm of a culture, a visual encyclopedia of its material culture, and anthropology 101 of what its population consumes. It provides a quick yet lasting impression of the spirit of the people who permeate it, the objects that populate it, and the symbiotic relationship between the two.

Before 2005, Khan el-Khalili was brimming with haggling merchants and travellers from foreign lands in search of antiques, souvenirs, or crazy knickknacks from its gold sellers, spice dealers, and artisans. Today, only few bother to pass through to pay homage. Fear created these visible "empty spaces" that were once occupied by foreigner visitors, and today those spaces remain a disheartening testament to the scars that political uncertainty and terrorism have left behind.

Yet, it is the markets—regardless of how we may judge or praise the quality of its goods and transactions—that are the humble doorways that helps us to understand the breadth of a culture's material culture and experience joy in humanity. Khan el-Khalili is merely the tip of the iceberg when it comes to Egypt's rich yet relatively enigmatic heritage in arts and craft, a story that merits deeper discovery on the global stage of artisanship.

Immersed in the graciousness and humor of its merchants and intoxicated by the magic of its energy, one cannot leave this microcosm of Egypt without a heartfelt hope that this magnificent culture will overcome, prevail, and thrive once more.

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Mona Kim is the Founder and Curator of Moowon magazine. As the Creative Director of award-winning multidisciplinary design studio, Mona Kim Projects, she has been conceiving public space experiences and large-scale experiential projects for global brands and cultural institutions. Her museum and exhibition design for the Canadian Museum of Human Rights, World Expo, Museum of Tomorrow (Museu do Amanhã), and UNESCO-sponsored projects, gave her the opportunity to document and be exposed to some of the most distinctive examples of social realities and cultural expressions. On these projects, she had co-curated world issues such as endangered languages, cultural diversity and sustainability. The Moowon project is an extension of this background. Her work has been featured in The New York Times, WWD(Women's Wear Daily), The Creative Review, and in publications by Gestalten and The Art Institute of Chicago.

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